Thursday, November 11, 2010

Sculpture Space

Sculpture Space is an avant-garde and international artist residency program tucked away in Utica, NY. I'm happy to say that I'm on the board.

We're gearing up for our annual holiday show. We hope to see you there!

Sculpture Space Mission Statement (adopted 4/29/04)

Sculpture Space is an international residency program that provides specialized studio workspace for professional artists whose focus is sculpture. We are dedicated to the belief that art, particularly sculpture, has the power to strengthen our understanding of the world around us. We are committed to providing artists with the time and resources to fully explore their creative potential. Sculpture Space also seeks to expand public awareness of and support for contemporary art by creating opportunities for artists to share their work with the community through exhibitions, lectures, and educational outreach.

Wednesday, November 10, 2010

War is Good Business: Invest Your Kids!

This is an illustration I did about three years ago for Patrick JB Flynn at Rethinking Schools magazine. The article was about the US military's recruiting efforts targeting inner city youth.

Sunday, November 7, 2010

The Mirage by J.D. King

It caught her eye, made her brake, that mailbox: a little log cabin, its red flag at attention, practically saluting her. Putting down the blue Schwinn, she walked over, opened the box, pulled out a letter addressed to an APO. From a pocket of her khaki shorts, Tammi produced a chrome-plated lighter, flipped it open, flicked, held a flame to a corner of the envelope. When the burning paper got too close to her fingertips, she let go, the smoking ash dropping to the roadside.

She led her bike by the handlebars down a sandy driveway to the house, a pre-fab log cabin: the mailbox all grown up. Too funny! On the right sat a black SUV with caramel panels, a yellow Support The Troops magnet on its butt, a tin of Skoal on the dash. The sign in the yard read: The Longs.

No barking. That's good.

Up two steps, on the porch. The screen door was closed, but the real door was wide open. Peering in, blocking August noon sun with hands cupped to her temples, she could see the living room, the dining-area, sliding doors to a deck, Lake Kayuta beyond. She rapped her knuckles on the doorjamb. Nothing. She knocked hard. Still nothing.

When she pulled, the screen door opened.

In the living room, she said, "Hello!" Silence. She turned a radio on, then off, proceeded to nose around.

On the mantle, an array of framed photos: perky mom; beefy dad; two young boys; a soldier in desert camos, boot on a Jeep's bumper; some old folks; everyone smiling for the camera. Say cheese, douche bags. Looking around the living room, a flat-screen TV, no books, some magazines: People, Field & Stream, Us.

In the kitchen, Tammi opened drawers, poked through cabinets, scouted the fridge, grabbed a bowl, a spoon, milk and a sealed box of Sugar Pops. She opened the box roughly, like an animal, poured cereal into the bowl, then milk. Leaning against the sink, she ate. The kitchen smelled faintly of spices. She should've been nervous, anxious about someone coming home, but she wasn't. If need be, she'd feed them a story. People are dumb, they'll buy anything.

After the snack, she went down the hall, into a bedroom on the left: bunk bed against one wall, Sponge Bob and Harry Potter posters opposite. Seeing a toy car on the floor, she crushed it under heel.

Next, the other bedroom, past the unmade bed to the dresser, she rummaged drawers. Stashed under dad's socks, some cash: three twenties, one ten, a five, four ones. She put the dough in the same pocket as the lighter. In another drawer, a loaded .38 revolver. She held it with both hands, mimed Hollywood action poses, saying, "Pow! Pow! Pow!" before placing it on the dresser.

Rifling the bathroom medicine cabinet she found a treat: almost a dozen codeine tabs in a green bottle. She popped the container in her other pocket, along with the tube of coral lipstick she used to gesture a smile face on the mirror, an oversized version of the ones she drew in place of the dot over the "i" when signing a love-note.

Sometimes Tammi sent love-notes to several guys at a time. It cracked her up. The lugs fell for that corny bullshit, even older lugs. Especially older lugs.

Back in the bedroom, she kicked off her Keds, stripped off her American flag T-shirt, bra, shorts and panties. Before the mirror, she held her breasts, one in each hand, admired herself, then snuggled into bed, fetal position under the covers, drifted into slumber, breathing the scent of Mama and Papa Whoever.

Close to a half-hour later she rose, did some stretches, then snapped out thirty pushups. "I should join the Marines!" Back in the bathroom, she turned on the shower, adjusted the temp to nice-and-hot, stepped in.

Water blasting, Tammi masturbated, not fantasizing about anyone, just getting off on pure sensation and the danger that, at any second, a stranger could burst in bellowing, "What the hell's going on?!"

Squeaky clean, she got out. Not bothering with the mat, a large puddle spread across the tiles as shook semi-dry, like a dog, her whipping hair splattering the walls. She sang, "Bomp! Bomp! Just a mirage, that's all you are to me..." Tammi'd heard the song yesterday, at her mom's, and it stuck in her brain like bubblegum to the bottom of a movie theater seat.

In the living room, still undressed, she picked up yesterday's Observer-Dispatch, sat down, adding a wet spot to the couch while reading about Utica's latest murder trial.

Bored, she tossed the paper on the floor, went out onto the deck, placed her hands on the railing, leaned forward, saw the pier below, gazed across the lake, took a deep breath, held it and thought, "Lake life is the greatest! Especially during the week when no one's around..." Then she trotted around in a wide circle, head bowed and bobbing, spanking her ass, mimicking a frisky race horse with jockey. The sun felt good on her bare hide.

Returning to the fridge, Tammi rustled up some cheddar cheese, whole wheat bread and a jar of red peppers. She made a grilled cheese in a black iron skillet on the old propane stove. At the dining-area table, the sandwich, with a leftover bag of Fritos, a can of Pepsi and two homemade cupcakes was a fine free lunch. Just as she was finished, was slapping her flat but full belly, a motor boat approached, cut its engine. In the surrounding woods, birds chirped. She got up, stood behind by the sliding glass door, saw the family docking at the pier, towheads hopping out, tying the boat to the landing, just like Pop had taught 'em.

In the bedroom Tammi picked up the .38, clicked off the safety, padded back to the kitchen, slid the door open, stepped out.

From the dock, a family looked up to see a naked young woman on their deck, her right hand on her hip, her left hand pointing a pistol at them. She yelled, "Think fast, motherfuckers!"

Just before Tammi squeezed off the first round, the older of the two boys thought, "Wow! She's beautiful!"

(This story appeared in Obsolete Magazine #2, Rich Dana, editor.)